I, Tokyo by Jacob Aue Sobol is chock full of tightly composed portraits and other highly dynamic photos- all B&W, all high contrast. Although a small handful may try a little too hard, the major reason I won't be buying this book is that too many of the images bleed into one another (see below), and together with the high contrast, I found myself once too often asking if I was looking at one picture or two, and what the hell was I looking at anyhow?
1 comment:
Yes, Koudelka, for instance, usually goes for one image on the right hand page.
Post a Comment