Showing posts with label nostalgia. Show all posts
Showing posts with label nostalgia. Show all posts

Sunday, March 15, 2015

Back In The Day...


A Boy and His Dog  (aka- Stan & Bob);  Photo: © S. Banos

One often looks back on one's youth through a nostalgic haze that conveniently filters out the negative- until you cut through the haze and start remembering in earnest. Moving into NYC (even from its outer boroughs) would mark a definitive milestone in anyone's life, it most definitely did in mine. It was 1980, the height of the Punk/New Wave scene, and New York still had a coupla remaining years before being meteorically launched into warp speed gentrification. 

The New Year's Eve photo that will never be surpassed, Studio 54- Photo: © Tod Papageorge

Thirteen in '69, I desperately craved to participate in my own version of The Sixties (which really started in '63 and ended in '72), but had well given up as the mid seventies devolved into a "modern" version of the '50s- the advent of disco pretty much signalling the final death knell. And then, a funny thing happened at the end of the decade, this thing called... Punk. And all of a sudden there was this crazy energy out on the streets again. No, it wasn't the unavoidable, universal sea change of the sixties; it was on a much smaller scale, but there nonetheless, if you chose to acknowledge it- in all its pre-digital, unconnected wonder!



New York was still in its post Gerald Ford, Drop Dead doldrums- ads in the Village Voice still advertised 3rm apts in Alphabet City/Loisaida renting for $650 (with the understood agreement that anything you were foolish enough to move in would be automatically removed free of charge), a heroin renaissance was still to occur, and crack had yet to be invented. Williamsburg was still Hasidic and/or Puerto Rican and nowhere near hipsterdom- in fact, anyone from the outlying boroughs was condescendingly referred to as "Bridge and Tunnel." This was also the time when you could walk out unto any East Village street on any given day and see the likes of Quentin Crisp, Afrika Bambaataa, The Beastie Boys or any of thousands of indie rock celebrities and wannabes. Robert Frank drunkenly burned original prints from The Americans in his loft on the Bowery, Alex Harsley held shop at The 4th St. Photo Gallery, and Hip Hop was about to spill from the Bronx and invade the the rest of NYC, the nation and the world.


Photo: © Ken Schles- who & where to go for more of a sense of the period...

Of course, this last ditch reverberation of The Sixties could not possibly endure unabated; it too would implode, and  by 1985- the tsunami called gentrification, fueled by unbridled greed, crack and mass Madonna commercialization inevitably dawned and triumphed. And just as jellyfish are now consuming the earth's vast oceans filling the void once occupied by fish- bodegas and local, centuries old Lower East Side storefronts were replaced, seemingly overnight, by a plague like torrent of small art galleries whose owners saw and promoted not art, but their own dreams of $$$ and art world stardom. Within a year, most would not even linger long enough to become memories, replaced by... upscale boutiques- it would never be quite like Paris.


The look Madonna popularized the world over... several years before she appropriated it; London,  Photo: © S. Banos

Youth would expend its final, semi-glorious gasp, my dog would soon depart- and New York, of course, has always had a way of cashing in on one's dreams, sweat and determination... and crushing them all the same. The photo biz (like everything else both seen and/or imagined in this town) was incredibly cut throat and competitive even then, I wanted no part of that hustle and would soon embark on a Special Ed career that would well occupy my time for years to come in Harlem and Oakland, CA when I made the move to the Left Coast. Marriage, a blog, pet cemeteries and the dawdling years of middle age awaited...




Tuesday, June 4, 2013

Review And Renewal...


Photo: Garry Winogrand

Finally got to see the Winogrand exhibit just before the whole damn museum shut down. SFMOMA is now shut for three years, to renovate, expand and add ten floors of... luxury whatever- cause ya know whatever they're gonna add is gonna be luxury something. And it'll probably cost a cool $25 (way above my hourly wage) to get in once it reopens, and I just found out my rent went up $30- all of which doesn't jive with my recent 1% raise. But at least it was free last weekend.

The newly exhibited work concentrated particularly on early sixties, even fifties stuff and made for a very nostalgic, Mad Men kinda viewing experience. You could see all the greatness that was yet to come imbedded in those early photos, just as you could see the remaining shadows of what once was in his last work. The meat and potatoes being the old familiar hits one knows and loves.

Amazing to see everyone looking at little grey prints in a museum, no colossal wall sized anything to be seen anywhere, and they were, in fact, surprisingly... grey  (yes, like old friends at a reunion)- the majority of his prints being surprisingly lower in contrast than I remembered, despite having seen them on many an occasion prior. Anyway, what can I say that hasn't already, except that I do take exception to his being described as "the first digital photographer." As prodigious and prolific a shooter as he was, Winogrand never burdened the viewer with his outtakes and almosts- as do the digital dispensers of today. If anyone owns that title it would be Friedlander- most of whose books could well profit from a tighter edit.

Monday, May 3, 2010

Blue Collar Cup O' Dreams...


I remember seeing these as far back as the '70s (although they go back a decade further)- and they seemed so damn ubiquitous I never realized they were just a NYC kinda thang...