To say the absolute least- even without seeing the actual video (does have a cute head though).Again, for more substantive dealings on said matters...
The now forcibly retired blog about: Photography, Life and the occasional UFO...
To say the absolute least- even without seeing the actual video (does have a cute head though).
Doctor equates infectious epidemics with spiraling inner city violence, and concludes its solution lies along similar preventative measures...
First photograph of man made object landing on foreign planet taken by man made moon circling said planet! Click here for high res wonder...
Dead Troops Remembered By President Who Had Them Killed
All throughout the '60s, '70s and '80s, there were repeated threats, plans, and promises to clean up and transform Times Square, particularly W42nd St. This seedy, crime infested stretch of vice and porn was the alternate city landmark- and like the Berlin Wall, I thought it would last forever.
Well, not exactly, but I do remember reading somewhere many years ago how Diane Arbus would say that she was "secretly kinky" about certain photographs she took that weren't exactly blockbuster images for the ages, but more personal and idiosyncratic images whose appeal she couldn't quite put her finger on but treasured nonetheless.
I've been buying photography books since the '70s; it's not a huge collection by any means, but fairly respectable nonetheless. Save for the occasional flea market snapshot purchase, I've never purchased original photography, I could just never afford it. Yes, I've known about 20x200. Yes, I know they have many beautiful prints at very affordable prices, but I save the little I have for the aforementioned books- besides my wife has every square inch of the walls in our humble abode completely filled with all her uhmm... stuff.
Kirk Johnson stands tall in a country led by cowards, liars and the lowest of the absolute low... 'Nuff said.
Jonathan Torgovnik's dramatic and sensitive portraits of Rawandan rape survivors and their children are as real and moving as documentary and portrait photography can get. And they serve as quite the wake up call to those who insist that documentary photography is no longer relevant, and can no longer affect image weary viewers. The mothers, struggling survivors of the most brutal rape scenarios imaginable, now struggle to raise the children of those actions singlehandedly- many before the AIDS virus they also contracted permanently and prematurely separate them from their children.
While doing a bit of research into the "plastic camera aesthetic," I was more than a bit surprised (to say the very least) when I came upon the website of one of its biggest names- Nancy Burson. Right there on her homepage was a video attesting to her belief and interaction with ECs (Extra Celestials). In the video, Ms. Burson goes on to elaborate that in addition to being a fine art photographer, she also taught at Harvard and worked with the FBI- her reputation vital to her professional livelihood. And yet, there she is, front stage center, proclaiming her ongoing relationship with intelligent light beings.
Mention anything to do with photography and/or bikes and you're going to get my attention. Part of the larger Eminent Domain: Contemporary Photography and the City that I first caught at Photokaboom, borough edges, nyc is a pretty amazing "little" project, geographically and historically. Bettina Johae hops on her bike, camera in hand, and documents the geographic boundaries of all five NYC boroughs! Although the 2,418 photographs may not necessarily fit into the "fine art" category, that still doesn't prevent this body of work from being quite the unique and revelatory documentary.
Many of Michal Chelbin's photos in Strangely Familiar simply take my breath away- they're that good. And she's also one of those rarities that can do B&W and color equally well (as the examples above more than adequately portray).
When Dr. Martin Luther King, Jr. was assassinated in 1968, the FBI applauded when they heard the news at their Atlanta headquarters.
I haven't seen the movie as of yet, but let me tell ya, a lot of these songs aint no joke!!! Faves incl: Take a Walk on the Wild Side, Jealous Guy, Ruby Tuesday, You Can't Always Get What You Want, Should I Stay or Should I Go...
One of the great shames and failures of my life is never having taken a great portrait of a saguaro cactus (despite having lived in Tuscon for a year). One of the ultimate icons of the Wild West, saguaros (an Indian, not Spanish name btw) are just so damn cool- stoic and foreboding, yet "cuddly" all the same (and they have to be at least 75 yrs old to grow an arm). Taking a memorable photo that did at least one of 'em justice was something I swore to do and never, ever achieved. Still ticks me off just thinking about it.
Back in the mid to late '80s when the New Wave music scene had long run its course and gentrification had reached well past the darkest corners of the fabled isle of Manhattan and into Brooklyn , a slew of small art galleries began to sprout in the East Village (yes, even before the Chelsea migration). No storefront or empty space was safe from being converted into yet another exhibition space as galleries multiplied exponentially overnight. Everyone knew it was a joke, and yet they kept appearing. The whole "movement" however, seemed not so much about fostering up and coming art (and artists), as it was to kick start young wannabe gallery owners into the NYC art scene. The Reagan Era had invaded the Lower East Side, and with it the hopes and aspirations of Punk and New Wave went the same sad route of its iconic 60's sibling. Meanwhile, reality came even quicker to the self deluded art scene schemers as the inevitable implosion from their gentrified overpopulation forced their successive overnight closures. And everyone was glad to have their bodegas back.
Prematurely sent to the reject bin last year, all this guy needed for resurrection were darker skies and a tad more contrast! (Tri-X, 16mm; Virginia City, NV)

There I was belly down in the dirt, Tri-X and F100 in hand, focusing on what would hopefully be my latest contribution to the ever expanding world of pet cemetery photography, when a sidelong glance caught the barrel of a rather large lens aimed directly at me. Attached to the rather formidable lens was my first sighting of an absolutely humongous D3, a Nikon D3, and if I didn't mention it- dang, those things are huge! Looking past the Japanese photographer (no doubt exacting revenge for all the times I've aimed my wide angle at his fellow countrymen), I noticed an entire phalanx of photographers wandering about my "private" sanctuary. The camera club was in town.