Recently Mark Page alerted us to the incredible Sergey Maximishin, and now points the way to Simon Roberts latest: We English. And, as usual, it's up to the individual viewer as to whether they approve of the people at a distance motif- or not. Personally, I think it definitely works for some, others...
Seems he restricted the project to his preconceived concept for this latter endeavor, while Motherland was more... improv. And while I don't have a copy of We English to judge more fairly, I think I'd definitely have to go with the more varied Motherland, despite some very exquisite imagery in the latest.
No comments:
Post a Comment